Friday File

Happy Friday! Like everyone else, I’m flabbergasted that it’s already August. Faculty will be returning to campus in a few weeks and then the students. Too fast! I’ve been inventorying the fashion study collection during the summer break, which is very time consuming. Wish I had more time before school starts up.

I’m hoping to get a little bike riding in this weekend. Travis and I might take our bikes out to an arboretum to take in the cool summer weather. We also have a double date planned, and I’m sure there will be tasty craft beer involved. What are you up to?

Here’s a roundup of my favorite links this past week:

Colin McDowell breaks down the state of fashion criticism and lack thereof and why the industry desperately needs it.

Madewell has a new denim collection I’m pretty excited to check out.

There’s a blog about everything these days. Even though I know little about opera, I’m fascinated that there’s an opera gossip blog.

I’m learning a lot over on the blog Pattern Observer about artists who moonlighted as surface/textile designers. Check out these first two posts of the series on Henry Moore and Raoul Dufy.

And for any museum professionals, have a good laugh (while cringe) reading the satire “Museum Professionals Make Terrible Visitors.” Not that all of us do these things, but I’m sure some of this will ring true.

And don’t forget to take my blog survey by this Sunday at midnight if you want to be entered in the drawing to win the cool coffee table book Fashion Scandinavia. I’m loving learning your preferences!

Rodarte on Stage

The Mulleavy sisters of Rodarte are trying their hand at costume design again, this time on the stage. Kate and Laura Mulleavy designed costumes for Mozart’s opera Don Giovanni performed by the L.A. Philharmonic. The show opens May 18 at the Walt Disney Concert Hall and features 20 costumes by the duo, including gowns and menswear.

This project comes after the controversy that surrounded credits for the film Black Swan. Kate and Laura created seven ballet costumes for the movie. After the release of Black Swan, reports about how many costumes they actually designed were exaggerated, and head costume designer Amy Wescott was vilified by the fashion media and in quotes from Kate and Laura. It was disappointing to read the contrived drama about what should have been a successful and celebrated collaboration. Hopefully this time around there won’t be any controversy as the Mulleavy sisters don’t have to share credit for their costume designs for the opera.

I have mixed feelings about Rodarte. The sisters’ designs have evolved toward sophistication, and their construction techniques have improved over time. They have an avant-garde aesthetic. They find inspiration and beauty everywhere, especially in untraditional places. This has gotten the Mulleavys into trouble in the past though — a beauty collaboration with MAC based on Mexico’s colors and culture was called “tasteless,” and their fall 2012 collection was accused of being offensive and insensitive because of its appropriation of Australian aboriginal designs. There is a long traditional of avant-garde fashion designers working in costume design on the stage, so it’s nice to see Rodarte carrying on that torch.

No matter what the Mulleavy sisters do in the future, I’m sure they will stay in the headlines.